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May you have a good and happy Passover week.
The acquisition of @ takes one more step. It relies on the assumption that physical possession of an object as a requirement for an acquisition is no longer necessary, and therefore it sets curators free to tag the world and acknowledge things that “cannot be had”—because they are too big (buildings, Boeing 747’s, satellites), or because they are in the air and belong to everybody and to no one, like the @—as art objects befitting MoMA’s collection. The same criteria of quality, relevance, and overall excellence shared by all objects in MoMA’s collection also apply to these entities.On the MOMA website, Inside/Out, you can read further about this inclusion and the history of the @ symbol which is interesting. Now get @ it.
Lorenzo Geiger (1982), freelance graphic designer from Bern, the most beautiful capital of Switzerland. Independent and nevertheless networked: for clients in the cultural field, as well as principals from other industries. Core competency: conception, creation and realization of solutions in visual communication: development of multidisciplinary projects involving web design and printed matter with a range from corporate identities, editorial design, record covers and knowledge visualization as well as the design of typefaces.Studied at the Bern University of the Arts, periods abroad and influential internships at Philippe Apeloig (Paris) and Fons Hickmann (Berlin). Graduated as Designer FH in February 2007 with the graduation project mapping: ch - an invitation to travel on twelve maps through an imaginary statistical landscape of Switzerland.Last worked at cosmic Werbeagentur BSW Bern for renowned clients such as Armin Strom, Schneider Electric and Ypsomed. Several works are featured in various international publications, such as: Die Gestalten Verlag Berlin, Rockport Publishers, Print Magazine, Computer Arts, novum - World of Graphic Design and many more.Design brings additional benefit. Design creates identity. Design matters.
We are closer than ever to historic health insurance reform – reform that will extend coverage to more than 30 million Americans, provide security and stability to those who have health insurance, and shift power from insurance companies to consumers.
Both the House and Senate versions of health insurance reform rest upon the following building blocks:
- Insurance reforms to protect consumers from insurance company worst-practices – like denying coverage based on pre-existing conditions, capping total coverage, and dropping or watering down coverage when you get sick and need it most.
- Consumer protections that will restrict how much of your premium dollars insurance companies can spend on marketing, profits, and salaries.
- Creation of a health exchange to increase consumer choice and guarantee coverage.
- Affordable health options, with subsidies for working families and a hardship waiver.
- Tax credits to help small businesses afford coverage.
- Making preventive care completely free – with no co-payments or deductibles
- Lowering the cost of health care for our seniors.
- Improving the quality and extending the life of Medicare.
- Ensuring that reform is not only fully paid for, but actually significantly reduces the federal deficit.
Oh Danny boy, the pipes, the pipes are callingFrom glen to glen, and down the mountain sideThe summer's gone, and all the roses falling'Tis you, 'tis you must go and I must bide.But come ye back when summer's in the meadowOr when the valley's hushed and white with snow'Tis I'll be here in sunshine or in shadowOh Danny boy, oh Danny boy, I love you so.But when ye come, and all the flowers are dyingIf I am dead, as dead I well may beYou'll come and find the place where I am lyingAnd kneel and say an "Ave" there for me.And I shall hear, tho' soft you tread above meAnd all my grave will warmer, sweeter beFor ye shall bend and tell me that you love meAnd I shall sleep in peace until you come to me.